![]() It may not have completely integrated rap, but it was a precursor to a culture that became more inclusive and widespread after its arrival. by Dean Carlson + A bit of a between-album attempt to keep the band in people's sights, Cactus Revisited takes most of the biggest hits from 3rd Bass' debut and hands them over to such respected mixers as Marley Marl, Dave Darrell, and Prince Paul for them to play with. The Cactus Album was also important because it proved to the hip-hop heads that white kids could play along without appropriating or bastardizing the culture. Resso is a new music service for the next generation of music. Not every single idea plays out successfully - Serch's Tom Waits impression on "Flippin' Off the Wall." is on the wrong side of the taste line, and "Desert Boots" is a puzzling Western-themed insertion - but they are at least interesting stretches that add to the dense, layered texture of the album. Matching MC Serch 's bombastic, goofy good nature and Prime Minister Pete Nice 's gritty, English-trained wordsmithery (sounding like a young Don in training), 3rd Bass' debut album is revelatory in its way. Listening to Music On Resso - The Cactus Album (Expanded Edition) by 3rd Bass. The duo may not have come from the streets, but their hearts were there, and it shows. As the follow-up to 1989’s The Cactus Album, 3rd Bass’ incredible debut, Derelicts. Get 25 OFF when you buy 4+ stickers Cannot be combined with additional sales/discounts. + A bit of a between-album attempt to keep the band in people's sights, Cactus Revisited takes most of the biggest hits from 3rd Bass' debut and hands them over to such respected mixers as Marley Marl, Dave Darrell, and Prince Paul for them to play with. For one, it is full of great songs, alternately upbeat rollers ("Sons of 3rd Bass"), casual-but-sincere disses ("The Gas Face"), razor-sharp street didacticism ("Triple Stage Darkness," "Wordz of Wizdom"), and sweaty city anthems ("Brooklyn Queens," "Steppin' to the A.M.," odes to day and night, respectively), with A-plus production by heavyweights Prince Paul and Bomb Squad, as well as the surprising, overshadowing work of Sam Sever. Twenty-five years ago today (June 18), 3rd Bass released its sophomore album, 1991’s Derelict of Dialect. ![]() Matching MC Serch's bombastic, goofy good nature and Prime Minister Pete Nice's gritty, English-trained wordsmithery (sounding like a young Don in training), 3rd Bass' debut album is revelatory in its way. Besides the upper-middle-class frat-punks-in-rap-clothing shtick of the Beastie Boys and emissary/producer Rick Rubin, who both gained a legitimate, earned respect in the rap community, there were very few white kids in rap's first decade who spoke the poetry of the street with compassion and veneration for the form.
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